The sector
Professional Services
The deliverable
Motion Graphics
Motion Graphics for Professional Services Companies in Pune
Kinetic typography, data motion and brand-system animation. Built around how professional services buyers actually evaluate — qualified enquiries, not view counts.
- From
- ₹20k
- Delivery
- 7-12 days
- Measured as
- Qualified enquiries
What professional services needs, and what motion graphics answers
The pairing is only worth briefing if each sector constraint maps to something the deliverable actually does.
Motion Graphics for Professional Services
Motion Graphics for Professional Services is the one asset your buyer watches before they ever reply to an email. Kinetic typography, data motion and brand-system animation. We work as a production unit, not a rental desk — the same team that writes the script is on set for the shoot and in the room for the final grade, which is why the film that gets delivered still resembles the one that was approved.
Expertise is invisible until someone credible says it on camera. In practice that changes the entire production plan. The person approving the film is usually the partner / practice head, the hardest constraint on set is client confidentiality, and the number that decides whether the project was worth it is qualified enquiries. We design the schedule, the script and the deliverable set around those three realities.
We build the edit backwards from the last frame, so every earlier shot has to earn its place. Footage that has never been logged is the most common hidden asset in a marketing team. A typical motion graphics engagement runs 7-12 days end to end with 3-5 artists on the production days, and lands between ₹20k and ₹1.8L depending on scale.
You receive
- Motion film
- Lower-third kit
- Animated logo sting
Shot on
- After Effects
- Cinema 4D
- Lottie export
What this pairing usually costs
Indicative bands. Final quotes are itemised line-by-line before anything is booked.
Essential
Single objective, tight timeline
- Single shoot day
- Script + shotlist
- One master deliverable
- One revision round
- Standard grade & mix
Signature
Most briefedMost brands land here
- Multi-day production in Pune
- Full treatment & storyboard
- Motion film
- Lower-third kit
- Two revision rounds
- Colour grade + sound design
- Subtitles in two languages
Flagship
Campaign-scale rollouts
- Extended crew & art direction
- Talent casting & locations
- Motion film
- Lower-third kit
- Animated logo sting
- Motion graphics package
- Regional language dubs
- Full asset library handover
An itemised quote, not a lump sum. You see every line — crew, days, locations, post — before anything is booked.
A written reply within 24 hours. A real scope and a real number, from the person who will run your project.
NDA before the brief, if you need it. Signed first. We shoot inside plants, R&D floors and pre-launch product rooms.
Nothing to pay to talk. Scripting direction and budget guidance cost nothing. You pay when dates are blocked.
How we differ from a cheaper quote
Booked as a production unit
Script ownership
Written in-house, signed before shoot
Quote structure
Itemised, fixed before booking
Deliverables
3 formats from one shoot
Finishing
Calibrated grade + designed sound mix
Revisions
Two rounds, timestamped review links
Turnaround
7-12 days
Languages
Marathi, Hindi, English in-house
Typical freelance quote
Script ownership
Client-supplied or improvised on set
Quote structure
Lump sum with variable extras
Deliverables
Single master, cutdowns billed later
Finishing
Preset LUT, music-only audio
Revisions
Email notes, unclear scope
Turnaround
Open-ended
Languages
Outsourced or unavailable
Six stages, no surprises
Sector approvals are scheduled as stages, not treated as interruptions.
- Stage 01Day 1-3
Discovery & brief lock
We sit with the people who actually own the outcome — usually sales, HR or the founder — and get to what the film has to change. The output is a one-page brief with a single measurable objective, not a mood board.
- Stage 02Day 3-7
Script & treatment
A written script, a shot-by-shot treatment and reference frames. Nothing is booked until this is signed. This is the cheapest place to change your mind and the most expensive place to skip.
- Stage 03Day 6-10
Recce & pre-production
Location recce in Pune, casting, permissions, art direction and a shotlist with timings. 3-5 artists are scheduled against that list so the shoot day has no dead hours.
- Stage 04Shoot days
Production
Filming with After Effects, Cinema 4D, Lottie export. We shoot for every deliverable in one pass — master, cutdowns and vertical crops — instead of returning for pickups later.
- Stage 05Day 10-18
Post-production
Assembly, edit, sound design, colour grade and graphics. Reviews run on timestamped links with two structured revision rounds included in the schedule.
- Stage 06Final week
Delivery & rollout
Platform-correct exports, subtitle files, thumbnails and a short rollout note on where each cut belongs. Makes numbers and abstract claims watchable.
How motion graphics actually gets made
The part of motion graphics that decides the outcome is pre-production, and it is the part most quotes compress. A shotlist that maps every deliverable to a specific setup means a 3-5 artists unit can cover in one day what an unplanned crew spreads across three. That is where the cost difference between a disciplined production and a cheap one actually shows up — not in the day rate, but in how many days you end up paying for.
On set we run After Effects, Cinema 4D, Lottie export because the format has to hold up under grading and cropping later. Shooting at higher resolution than the delivery spec is not vanity: it is what allows a single wide take to yield a clean 16:9 master and a 9:16 vertical cut without a second shoot. Across Pune the practical variables are ambient noise, power stability and access windows, all of which we lock during the recce.
Post-production is where the film either becomes an asset or a folder nobody opens. The assembly edit answers whether the story works; the fine cut answers whether it holds attention; the grade and mix answer whether it feels like it came from a serious company. For professional services clients we also build the inbound enquiries narrative directly into the structure, because that is what the partner / practice head is actually evaluating.
Use cases we plan for on this kind of project include report visualisation, keynote support, channel branding. Each one implies a different length, a different opening and a different call to action, which is exactly why we produce a set of cuts rather than one film with a generic ending stitched on. Makes numbers and abstract claims watchable.
Questions we get asked first
How long does the whole process take?＋
Plan for 7-12 days from locked brief to final master for a standard motion graphics project. Pre-production takes the largest share of that window because scripting, casting and location recce decide how efficient the shoot day is. Fast-track schedules are possible when the script is already approved and the locations are fixed.
Who owns the raw footage?＋
You do, for the licensed deliverables. Raw rushes are archived for twelve months and can be handed over on a drive at cost. We do not hold footage hostage as a retention tactic — the reason clients come back is the next project, not the archive.
What if we do not like the first cut?＋
Two revision rounds are standard and built into the timeline. Reviews happen on a timestamped review link so feedback is attached to the exact frame instead of arriving as a paragraph of notes. Structural changes after the first cut is approved are quoted separately, which is precisely why the script lock stage exists.
What do we actually receive at the end?＋
The delivery kit includes motion film, lower-third kit, animated logo sting, plus platform-correct exports, subtitle files and a clearly licensed archive of the master. You own the finished deliverables outright, and we hand over the project files on request so no future vendor is locked out.
How do payments and timelines work?＋
A standard schedule is 50% to lock the shoot dates, 30% at the shoot, 20% on final delivery. Dates are only held against a confirmed advance because crew and equipment are blocked out for you. Any change in scope is re-quoted in writing before work continues.
Have you worked with professional services clients before?＋
Yes — and the specifics matter. Expertise is invisible until someone credible says it on camera. Your buyer is usually the partner / practice head, the practical constraint on set is client confidentiality, and success gets measured as qualified enquiries. We plan the shoot around those three facts rather than treating it as a generic corporate job.
Do you handle scripting or do we need an agency?＋
Scripting is included. We run a discovery session with the people who actually sell or operate the thing being filmed, turn that into a treatment, and only start the shoot once the script and storyboard are signed. If you already have an agency, we slot in as the production partner and work to their creative direction.
What to bring to the first call
- 01A single, written objective for the film
- 02The person who signs off, identified before scripting
- 03Brand assets: logo files, fonts, colour codes, existing footage
- 04Confirmed shoot locations and access windows
- 05Two or three reference films you like, with reasons
- 06Any client confidentiality we need to plan around
- 07Target platforms and the aspect ratios they need
- 08A realistic go-live date to work backwards from
Related services for Professional Services
Same sector knowledge, different deliverable — what professional services teams in Pune brief next.
Film
Corporate Video Production for Professional Services
Boardroom-grade films that explain what your company actually does.
Film
Corporate Film Making for Professional Services
Narrative company films with a script, an arc and a point of view.
Film
Ad Film Production for Professional Services
TVC-grade commercials built for recall, not just reach.
Animation
Explainer Video Production for Professional Services
90 seconds that make a complicated product obvious.
Animation
2D Animation for Professional Services
Character and motion-led 2D storytelling with a house style.
Animation
3D Animation for Professional Services
Photoreal CG for products, plants and processes you cannot film.
Go deeper before you brief
Long-form, numbers-first guides from the same cluster — written for teams comparing quotes, not for search engines.
Scripting guide · Animation
Explainer Video Script Structure That Converts
Ninety seconds is roughly 210 words of voiceover. Here is how to spend them so a complicated product becomes obvious to somebody who has never heard of you.
Process guide · Corporate
How to Brief a Corporate Video So It Works the First Time
Most corporate films fail on paper, weeks before anyone picks up a camera. Here is the one-page brief that prevents it, and the six questions it has to answer.
Production guide · Product
Product Video Shoot Checklist for D2C and Manufacturing Brands
A product shoot succeeds or fails in the two days before it. This is the preparation list studio crews wish every brand arrived with.
Other services for Professional Services
Other industries
Send a brief, or just the problem you are trying to solve. You will get a script direction, a shoot plan and an itemised quote — not a PDF of stock photos.
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