The sector
Logistics & Warehousing
The deliverable
3D Animation
3D Animation for Logistics & Warehousing Companies in Pune
Photoreal CG for products, plants and processes you cannot film. Built around how logistics & warehousing buyers actually evaluate — enterprise rfps won, not view counts.
- From
- ₹75k
- Delivery
- 18-30 days
- Measured as
- Enterprise RFPs won
What logistics & warehousing needs, and what 3d animation answers
The pairing is only worth briefing if each sector constraint maps to something the deliverable actually does.
3D Animation for Logistics & Warehousing
3D Animation for Logistics & Warehousing either shortens the sales conversation or lengthens it — nothing in between. Photoreal CG for products, plants and processes you cannot film. We work as a production unit, not a rental desk — the same team that writes the script is on set for the shoot and in the room for the final grade, which is why the film that gets delivered still resembles the one that was approved.
Scale, speed and tracking discipline are the story. In practice that changes the entire production plan. The person approving the film is usually the business head / key accounts, the hardest constraint on set is live dock and yard safety, and the number that decides whether the project was worth it is enterprise rfps won. We design the schedule, the script and the deliverable set around those three realities.
We shoot for the cutdowns from day one, so the vertical, the 15-second and the master all come from one schedule. Most briefs we take on replace a film the client already paid for once and never used. A typical 3d animation engagement runs 18-30 days end to end with 5-10 artists on the production days, and lands between ₹75k and ₹8L depending on scale.
You receive
- 3D animated film
- Turntable renders
- Exploded-view stills
Shot on
- Blender / Maya
- Redshift
- Substance
What this pairing usually costs
Indicative bands. Final quotes are itemised line-by-line before anything is booked.
Essential
Single objective, tight timeline
- Single shoot day
- Script + shotlist
- One master deliverable
- One revision round
- Standard grade & mix
Signature
Most briefedMost brands land here
- Multi-day production in Pune
- Full treatment & storyboard
- 3D animated film
- Turntable renders
- Two revision rounds
- Colour grade + sound design
- Subtitles in two languages
Flagship
Campaign-scale rollouts
- Extended crew & art direction
- Talent casting & locations
- 3D animated film
- Turntable renders
- Exploded-view stills
- Motion graphics package
- Regional language dubs
- Full asset library handover
An itemised quote, not a lump sum. You see every line — crew, days, locations, post — before anything is booked.
A written reply within 24 hours. A real scope and a real number, from the person who will run your project.
NDA before the brief, if you need it. Signed first. We shoot inside plants, R&D floors and pre-launch product rooms.
Nothing to pay to talk. Scripting direction and budget guidance cost nothing. You pay when dates are blocked.
How we differ from a cheaper quote
Booked as a production unit
Script ownership
Written in-house, signed before shoot
Quote structure
Itemised, fixed before booking
Deliverables
3 formats from one shoot
Finishing
Calibrated grade + designed sound mix
Revisions
Two rounds, timestamped review links
Turnaround
18-30 days
Languages
Marathi, Hindi, English in-house
Typical freelance quote
Script ownership
Client-supplied or improvised on set
Quote structure
Lump sum with variable extras
Deliverables
Single master, cutdowns billed later
Finishing
Preset LUT, music-only audio
Revisions
Email notes, unclear scope
Turnaround
Open-ended
Languages
Outsourced or unavailable
Six stages, no surprises
Sector approvals are scheduled as stages, not treated as interruptions.
- Stage 01Day 1-3
Discovery & brief lock
We sit with the people who actually own the outcome — usually sales, HR or the founder — and get to what the film has to change. The output is a one-page brief with a single measurable objective, not a mood board.
- Stage 02Day 3-7
Script & treatment
A written script, a shot-by-shot treatment and reference frames. Nothing is booked until this is signed. This is the cheapest place to change your mind and the most expensive place to skip.
- Stage 03Day 6-10
Recce & pre-production
Location recce in Pune, casting, permissions, art direction and a shotlist with timings. 5-10 artists are scheduled against that list so the shoot day has no dead hours.
- Stage 04Shoot days
Production
Filming with Blender / Maya, Redshift, Substance. We shoot for every deliverable in one pass — master, cutdowns and vertical crops — instead of returning for pickups later.
- Stage 05Day 10-18
Post-production
Assembly, edit, sound design, colour grade and graphics. Reviews run on timestamped links with two structured revision rounds included in the schedule.
- Stage 06Final week
Delivery & rollout
Platform-correct exports, subtitle files, thumbnails and a short rollout note on where each cut belongs. Shows the inside of a product no camera can reach.
How 3d animation actually gets made
The part of 3d animation that decides the outcome is pre-production, and it is the part most quotes compress. A shotlist that maps every deliverable to a specific setup means a 5-10 artists unit can cover in one day what an unplanned crew spreads across three. That is where the cost difference between a disciplined production and a cheap one actually shows up — not in the day rate, but in how many days you end up paying for.
On set we run Blender / Maya, Redshift, Substance because the format has to hold up under grading and cropping later. Shooting at higher resolution than the delivery spec is not vanity: it is what allows a single wide take to yield a clean 16:9 master and a 9:16 vertical cut without a second shoot. Across Pune the practical variables are ambient noise, power stability and access windows, all of which we lock during the recce.
Post-production is where the film either becomes an asset or a folder nobody opens. The assembly edit answers whether the story works; the fine cut answers whether it holds attention; the grade and mix answer whether it feels like it came from a serious company. For logistics & warehousing clients we also build the enterprise contract wins narrative directly into the structure, because that is what the business head / key accounts is actually evaluating.
Use cases we plan for on this kind of project include machinery demo, real-estate walkthrough, medical device. Each one implies a different length, a different opening and a different call to action, which is exactly why we produce a set of cuts rather than one film with a generic ending stitched on. Shows the inside of a product no camera can reach.
Questions we get asked first
What do we actually receive at the end?＋
The delivery kit includes 3d animated film, turntable renders, exploded-view stills, plus platform-correct exports, subtitle files and a clearly licensed archive of the master. You own the finished deliverables outright, and we hand over the project files on request so no future vendor is locked out.
How do payments and timelines work?＋
A standard schedule is 50% to lock the shoot dates, 30% at the shoot, 20% on final delivery. Dates are only held against a confirmed advance because crew and equipment are blocked out for you. Any change in scope is re-quoted in writing before work continues.
Have you worked with logistics & warehousing clients before?＋
Yes — and the specifics matter. Scale, speed and tracking discipline are the story. Your buyer is usually the business head / key accounts, the practical constraint on set is live dock and yard safety, and success gets measured as enterprise rfps won. We plan the shoot around those three facts rather than treating it as a generic corporate job.
Do you handle scripting or do we need an agency?＋
Scripting is included. We run a discovery session with the people who actually sell or operate the thing being filmed, turn that into a treatment, and only start the shoot once the script and storyboard are signed. If you already have an agency, we slot in as the production partner and work to their creative direction.
How much does 3d animation cost in Pune?＋
Realistic budgets run from ₹75k for a focused single-day production up to ₹8L for a full-scale build with a larger crew, art direction and extended post. The variables that actually move the number are shoot days, crew size, talent, locations and how many cutdowns you need. We quote line-by-line, so you can see exactly what a day of 5-10 artists or an extra grading pass costs before you approve anything.
Do you provide regional language versions?＋
Marathi, Hindi and English are handled in-house with native voice artists, and we run a sync QC pass on every dub. Subtitle files are delivered as both burned-in variants and separate SRTs so the same master works on broadcast, social and an internal LMS.
Can you shoot at our own premises?＋
Yes. We shoot on-site across Pune and PCMC and bring our own power, lighting and sound control. A recce before the shoot day lets us design around ceiling height, ambient noise and access windows.
What to bring to the first call
- 01A single, written objective for the film
- 02The person who signs off, identified before scripting
- 03Brand assets: logo files, fonts, colour codes, existing footage
- 04Confirmed shoot locations and access windows
- 05Two or three reference films you like, with reasons
- 06Any live dock and yard safety we need to plan around
- 07Target platforms and the aspect ratios they need
- 08A realistic go-live date to work backwards from
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Go deeper before you brief
Long-form, numbers-first guides from the same cluster — written for teams comparing quotes, not for search engines.
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Send a brief, or just the problem you are trying to solve. You will get a script direction, a shoot plan and an itemised quote — not a PDF of stock photos.
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